donderdag 18 januari 2018

Friday 19 January: VROOOM #56


– RÄS (Nina Hitz, George Dimitriu, Maya Felixbrodt)
– ORPHAX (nl)

location: Pink Pank – Delftsestraat 9, Rotterdam
doors: 20:30 end: 00:00 / entrance: 6 euro (cash only)

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Vrooom's 2018 kick-off is a triple serving that includes the transformative acoustic possibilities of electromagnetic fields, deep ambient drones and three proponents of the violin family.

Jasna Veličković is a composer and performer based in Amsterdam. Her recent works such as "Last Song", "Ombre…moi non plus" and "Shadow Studies" focus on sound extension of traditional instruments. Her music often derives from existing musical pieces shadowing or looking awry to the original. Most recently she is building a new performance setup made out of permanent magnets and coils. This project is a new installment of her ongoing artistic research whose aim is the creation of tools that facilitate playing on instruments or objects using the transformative acoustic possibilities of electromagnetic field.

RÄS (Nina Hitz, George Dimitriu, Maya Felixbrodt)
String trio Räs is an improvisation unit that consists of three different players; George Dimitriu (violin), Maya Felixbrodt (viola) and Nina Hitz (Cello).
Räs music does not follow the more obvious interaction that happens when improv musicians meet, it's more like a body of sound that exists in it’s own world, rattling, mumbling and creating an atmosphere. The area of tension in which ras moves ranges from "Wandelweiser" music (an international group of composers/performers founded in 1992 by Dutch-born flautist Antoine Beuger and German violinist Burkhard Schlothauer) to the conceptualism of Cage (pieces like "landscape nr 4 for 12 radio’s"), adding a very personal taste to this approach. All instruments are like radios that are turned on random frequencies, interacting with each other because they are playing in the same space at the same time, but without a conscious knowledge of eachothers' presences.

Orphax aka Sietse van Erve is a minimal ambient and drone music project. In van Erve's music there is a development towards microtonal sounds, where time and spatiality are important factors. A possible result can be a static form of sound where development in the music becomes subordinate to the listener losing any sense of time.


This event is made possible with kind support of Popunie Rotterdam.