donderdag 25 augustus 2022

Thursday 22 September - Vrooom #89: Lucy Adlington, Giulio Aldinucci, Nicoleta Chatzopoulou, Martijn Comes










Vrooom #89

┆ LUCY ADLINGTON
┆ GIULIO ALDINUCCI
┆ NICOLETA CHATZOPOULOU
┆ MARTIJN COMES

location: Klooster Oude Noorden – Ruivenstraat 81, Rotterdam
doors: 20:00 / start: 20:30 / end: 23:00 / €10
facebook event


Curated by Martijn Comes, Vrooom #89 centers around both The Crystal Cabinet and Karlrecords labels and its affiliates. A night of beautiful deep listening music.

┆ LUCY ADLINGTON ┆ (UK)
Lucy Adlington is a guitarist from North East England who creates music with droning spheres, textural melodies and rather delicate noise. She has been active as a solo artist and as collaborator throughout the UK and beyond, and is the founder of the Crystal Cabinet record label.
http://lucyadlington.bandcamp.com | https://thecrystalcabinet.bandcamp.com/album/mercury

┆ GIULIO ALDINUCCI ┆ (IT)
Giulio Aldinucci is a composer from Siena, Italy, who is active in the field of experimental electroacoustic music. In addition to his prolific discography (among which the critically acclaimed "Disappearing In A Mirror" (2018) and "Borders And Ruins" (2017) on Karlrecords), he has made contributions to a variety of collective works and wrote music for theatre, video art and cinema.
https://www.giulioaldinucci.com | https://aldinucci.bandcamp.com

┆ NICOLETA CHATZOPOULOU ┆ (GR)
Nicoleta Chatzopoulou is an Athens-based composer, performer, researcher and curator. She focuses on organised sound as well as external musical sources. Her work includes acoustic pieces for solo instruments and diverse chamber music ensembles, electroacoustic pieces, chamber operas, algorithmic and site-specific compositions. Her artistic output as viola da gamba player ranges from e.g. early and contemporary music to improvised and pop.
http://nicoletachatzopoulou.com | http://ngalleryathens.com

┆ MARTIJN COMES ┆ (NL)
Martijn Comes is a Dutch composer with a keen interest in the character of sound found within various musical traditions. Most of his work gravitates towards electroacoustic composition, with some of his harmonies described sounding as if they were exhumed from the dregs of harsh noise, and others having an almost extraterrestrial quality.
https://martijncomes.bandcamp.com/

 

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